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An Old World Mountain Village

December 19, 2020 by John Hendricks, Architect AIA Leave a Comment

If you were to design an old world mountain village, where would you begin?

You would probably want to start by looking at history.  The old world villages were typically built over a long period of time, often several centuries, and ending up with multiple architectural styles.  This is the look we wanted to achieve in the design of this village.

A creative old world medieval mountain village

An old world village, somewhere high in the mountains.

European villages are typically charming and quaint, and have that “village feeling”.  It is often the combination of several architectural styles that bring variety, while flowing together organically with the landscape to form a unique and appealing whole.  These days they draw enormous crowds to such places as the Cotswolds in England, and Mont St. Michel in France.

During medieval times, people lived in thousands of villages across the United Kingdom and Continental Europe, all generally within a few miles of each other.  Most of these villages still stand today.  Many have become towns, and some have even evolved into cities.

Corfe Castle is an old world village

Corfe Castle is built around a 10th century castle now in ruins.

Villages are small communities in rural areas.  A village is bigger than a hamlet (which is a small village without a church, and roughly up to one hundred people), but smaller than a town (roughly a thousand to twenty thousand people).  The oldest villages typically began with a few cottages gathered around a small public space or a street.  As they grew, these settlements became hamlets and later, villages.

Villages are sized differently depending on the country.  In Italy, a village has less than two thousand people, in England it’s often a few hundred to five thousand, while in The Netherlands, a dorp (village) applies to settlements smaller than twenty thousand.

Old world cottage homes in Rye village

Packed in cottages in Rye, East Sussex, England

The Village Layout

There is no typical village.  It could be centered around a village green or a castle (though castles were most often in towns).  Later, when defense wasn’t as important, villages would grow along a road, wrap around or along a body of water or stream, or be scattered loosely.  Each village is an individual and dynamic entity that changes with the times.

Most villages included:

The Cathedral or Parish Church

This was usually the major public building in the village or town, and often the only one built of stone.  It was usually in a prominent position, on high ground or near a market.  Because of its mass, as well as its towers and spires, it was often the first thing a visitor would see when arriving.

An old world medieval village cathedral

The cathedral or parish church

The Cathedral/Church was the center of village life, a place of worship, a meeting place, and a symbol of village pride.  Traditionally, these spaces were used for social gatherings, weddings, funerals and community activities, often hosting small arts and food markets, which along with cafes and pubs, attract many visitors. Churches were also village halls where the parishioners would gather to watch plays and participate in church ales (communal drinking of ales and dancing).  The money from these events was often used to buy something special for the church, such as a new bell.

Originally these buildings were built by generations of villagers that generously gave their time and money.  Each parishioner was expected to contribute ten percent of their wealth, whether it be cash, every tenth pig, corn, etc.  The lucrative wool trade paid for many of the churches, especially in places like the Cotswolds, where numerous stone churches were built.

The Old World Wells Cathedral

Wells Cathedral, built from 1176 to 1450

These buildings were usually built with the most durable construction that the village could afford.  They were enlarged during times of prosperity.  In the worst of times they were a sanctuary from mobs.  The earliest churches were built with wood, and later rebuilt with stone.  They were a mixture of styles from Early Christian architecture to the Byzantine churches of the Roman Empire, to the Romanesque, Gothic, Renaissance, Baroque, Rococo, Neoclassical and various Revival styles from the late 18th to early 20th centuries.  As a village grew, most churches built several additions throughout the ages.  Most of the stone churches are still standing today.

In their size and style, the churches reveal much about the village they serve, its past prosperity and the piety of the parishioners.  The monuments may record the names of important local families going back hundreds and hundreds of years.  The gravestones in the churchyards will tell you the names and ages of generations of the more humble folk.

Old World St James Church in Avebury Village

St. James Church in Avebury, dating back to the 11th century.

The Castle or Village Hall

These were the buildings of political power and where the law was enforced.  Many town halls and castles have a public place in front of them, large enough to allow people to gather to witness hangings and other executions.  These spaces were also used for trading, especially traders arriving from faraway lands, as not everyone could enter the fortress.

A creative mountain village castle

The castle emphasized strength and political power.

Towns were more likely than villages to have castles.  Most “respectable” villages and towns couldn’t do without stone fortified bridges and walls.  Most of the town walls were very expensive to put up.  Villages and towns became independent to castles as the need for defense declined.

Old World Bodiam Castle near Robertsbridge village

Bodiam Castle, built in 1385 near Robertsbridge Village, apparently to defend against a French Invasion in the Hundred Year’s War.

The Village Shops

Village shops were often on High Street

The Village Shops of High Street.  The village shops were stores where you could buy various things such as food, clothing and medicines.

 

 

Shops in Old World Shambles of York

Shops in The Shambles in the center of York, at one time a village, now a city.

Merchants often lived in the floors above the shops.  Any servants of the merchants would live in the top floors.  Though they had to climb more stairs, they ended up having the best views.

 

Cadgwith Village FIsh Seller Shop in Cornwall

The Fish Seller Shop in Cadgwith Village, Cornwall

The shops were typically located along the street that connects the political and religious power buildings.

Shops in St. Ives an old world village

A shopping street in St. Ives, Cornwall

This street would often be called High Street, as the two powers (castle and church) were typically built high up on the hills, to be able to see an attacking enemy.

Salty Dog Shop St. Ives Village Cornwall

The Salty Dog, looking for attacking enemies above The Salty Dog Boutique in Cornwall

The Marketplace

If a medieval town was to grow and flourish, then trade was key, so market areas were uniquely important.  The marketplace was an outdoor area where salespersons could come from all over and showcase their wares.  This often helped stimulate the growth of a village.

A village marketplace attracted tourists

The marketplace was where salespeople marketed their wares

Marketplaces, especially those with restaurants and cafes, are a huge asset by attracting tourists.  Usually at the center of town, the marketplace was often triangular shaped, formed at the juncture of three roads.  Markets were also planted outside castle gates and churchyards, until they were banned in the UK from the latter in 1285.

Market square in Old World Salisbury Village

Market Square in Salisbury. Not exactly a village anymore, but a good example of a market place, surrounded by pubs, inns and shops.

The marketplace came in all shapes and sizes, but size was more important than shape.  They needed to be big.  In recent times, many of these marketplaces also set up shop as festive Christmas markets in the winter holiday season.

Cesky Krumlov Christmas Market in an Old World Mountain Village

The Christmas Market in Cesky Krumlov, Czech Republic

The Tavern/Pub or Inn

Taverns, pubs and Inns were often interchangeable, depending on where you were, and whatever the owner decided to call it.  In general, inns catered more to travelers, while taverns and pubs provided more for the locals.

Old world medieval mountain village inn

The village inns, pubs and taverns catered to travelers.

Inns were places where people traveling from village to village could eat or drink, possibly stay the night, as well as feed, water and rest their horses.  As a result, most inns were in a central location in the village or where trade roads came together.  They typically had a large public space or widened street in front of them.

Some inns had cellars containing exotic wines and beer from all over the world.  The food was often simple.  Stew, bread and cheese were staples.

Horse & Hound Inn & Pub Broadway Cotswolds

The Horse & Hound, an Inn & Pub in Broadway in Cotswolds, England

Medieval inns are typically large, rambling buildings with slanted walls, creaking stairs, haunted rooms, and grand fireplaces that give joy to tourists today.  The Inns brought in a lot of money back in the day.  The owners of an inn were typically among the wealthiest and most influential in the village.  Not only did they serve meals, but they also hosted large banquets and elaborate feasts.  The inn owners also often acted as banker and expediter for money-oriented transactions.  Many of them were also deal brokers for merchants.

Mermaid Pub Inn Burford Village

The Mermaid Pub & Inn at Burford in the Cotswolds

Taverns and pubs became a social center for the community.  They didn’t always provide lodging.  They were often owned by licensed brewers and vintners and focused on drinking.  In medieval times, taverns and pubs were an indoor meeting place where people met to socialize and talk about culture and politics, and travelers sometimes stayed for short-term overnight lodging.

Old Weavers House Old World Canterbury Village

Old Weavers House in Old World Canterbury, built around 1500

Pubs would try to gain respectability by attaching the name of the pub to royalty.  The biggest advertisements in medieval times were the pub signs.  The biggest names during that time were The Red Lion (which was a badge used by Scottish incoming King James I after Queen Elizabeth I’s death), The Crown, The Rose and Crown, The King’s Head, The White Heart (badge of Richard II), and the Queen’s Head.  Oftentimes many pubs adopted the name of the local wealthy family name, followed by ‘Arms”.  Richard II was the monarch who first decreed that all pubs should have a sign.  His badge was so widely adopted during his reign that White Hart became a synonym for ‘pub’.

Cotswold Arms Pub in Burford Old World Village

The Cotswold Arms Pub in Burford

These days, taverns and pubs are places to eat and drink, and also do business.  A pub is the preferred name for a tavern in the UK, Ireland, New Zealand, Canada and Australia.

Quiet Streets and Alleys

These are often my favorite parts of the old villages.  Delightful alleys and enticing passages around the corner help create more character.

Alley in Chipping Campden's Old World Village

A quiet alley in Chipping Campden

Secret, winding streets, through the village, take advantage of the sloped terrain, especially in mountain villages, where there is more depth and interest.

Gold Hill in Old World Shaftsbury Mountain Village

Gold Hill, a winding walking street in Shaftsbury

One thing that mountain villages have over flatland villages are, well, hills.  Especially in mountain villages, where things become more interesting than flat, level villages.

Clovelly mountain village old world street

High Street in Clovelly Village

The Manor House

This is typically the biggest home in the village and used by nobility.  It’s often fortified and enclosed by walls and ditches, and sometimes equipped with gatehouses and watchtowers.  Eventually they became more stately homes for wealthy gentlemen.  Under Queen Elizabeth I, the mansions began to be designed by architects, rather than builders or masons.  All manor houses had their own adjoining deer parks, where no hunting was allowed for anyone, including royalty.

Mountain village manor houses were large stately homes

A village’s manor house was a larger dwelling for nobility.

If there wasn’t an Inn in a village, the local lord of the manor might often host you for the night.  This came in exchange of gifts, but mostly for news, rumors and stories, which were highly valued in a insular medieval society.  Traveling troubadours and bards would often sing and perform in exchange for lodging and food at the local lord’s manor.  If the local lord was unable or disinclined to host a traveler, village families were happy to share their cottage as long as you had a smile and some money.

Manor house in a Cotswolds village

A 17th century manor house in the Cotswolds of England.  Even the interior walls are built of stone.

The Cottages

These dwellings were fairly close to each other, for socializing and defense, with farmland surrounding the homes.  Many of the cottages traditionally hosted animals in the ground floor and had a small vegetable patch on the sunny side.  An important characteristic of the cottage prototype is the layout, which has a larger front wall so its width is longer than its depth.

The old world mountain cottages were beautiful homes

The village cottages and their gardens

Most historic cottages were built with oak timber-framing, stone or brick walls, or a combination.  Roofs began as wattle (sticks) and dab (sticks and a combination of clay, sand, straw and dung/poop), and in later years could be stone, thatched straw (which provided the best insulation), clay, or wood shingles.  Floors were often bare earth, covered with rushes.  These were a sweet smelling, flowering plant that provided a nice aroma as well as some insulation.  Many cottages have become an eclectic mixture of styles.

Cottages in Clovelly Village Devon England

Cottages in the oceanfront hill town in Clovelly, Devon, England.  For more traditional thatched cottages see thatch roofing.

The Cottage Gardens

Many of the cottages have their own gardens. Flowers, herbs, and beehives, as well as fruit trees.  Stored peas and beans were ground into flour. Storage was also made for other vegetables and fruit, as well as spice boxes and medicine chests.  Dried aromatic plants were mixed in with the rushes that covered cottage floors.

A cottage garden in a Cotswolds viillage cottage

A cottage garden in The Cotswolds

The Village Green

Often the hub of local life, casual sports, and recreation.  Their original purpose was to enclose the village livestock, for safety from attackers and predators.  Many villagers had cattle and pigs and exercised their right to graze them on common land.

Village Green Cricket

Village Green – Cricket in the Cotswolds

Village Greens were often deliberately created by a lord who was seeking space for a market.  The village greens also provided space for trading and celebrations.  They are now used as parks and/or green space and may include manicured lawns, flowering gardens and feature trees.  The size of this space is in relation to the size of the village (number of homes) as there was a ratio of the number of cattle or sheep that needed to pasture to feed the town.  For obvious reasons, a village green is not always an option in mountain villages, as the terrain is not often inducive for large, flat green spaces.

The War Memorial

Nearly every village now has a war memorial, commemorating those who died in wars, especially the World Wars.  Memorials took many forms, including village halls, dedicated parks and gardens, sculptures, tree plantings, church lychgates (roofed gateways to a churchyard), and playing fields.

War Memorial in Old World Burford Village

War Memorial Burford Village for those lost in World War I / The Great War

In Great Britain, World War I has the most memorials, as 1.1 million British died in this war.

World War One Memorial Burford Village

World War One Memorial text at Burford Village

The Villagers

Most villagers have a passionate pride in their community.  The most knowledgeable people in the medieval villages were typically the vicar of the church or the landlord of the inn or tavern.

 

The Village as a Whole

Villages are known and admired as close-knit communities, and also as a collection of cottages and other buildings.  The special appeal of cottage dwellings usually lies in the way they combine in rambling and unregimented clusters to create charming and evocative vistas, rather than in intentional ways or ornate beauties of particular building styles.

Most of the old world villages have been altered in some way and reflect the building methods that have been in place throughout the centuries.  Most villages also contain horses of different ages, styles, shapes and sizes, as well as cows, sheep and pigs.  An appreciation of the village as a whole is enhanced by an understanding of each individual.

If you decide to visit a village, try to avoid the weekends in the summer.

Old World Burford Village Cotswolds The Hill

Burford Village on a summer weekend

More about Villages

Eventually, many of the villages became towns, and even cities, though many still retain their rustic charm, even if they are in the middle of a larger metropolis.

Most village names have meanings.  For example, some village names end in “chester”, which is a Saxon derivative of the Roman  word “Castra”, which means camp.  Villages ending in “ing” come from the Saxon word “ingus” which means “the descendant of” or “the people of”.  So Hastings means “Haesta’s people”.

We would love to hear your version of the history of the village in our rendering in the comments.  How has history formed this village?  What would be a good name for it?

Creating an actual village

If anyone is interested in developing a village, contact us.

Guidelines are important if individual cottages are designed by others.  If you’re going for a more historic or authentic look, you would want to make sure that there isn’t a structure that stands out as too modern.  We’ve worked with several neighborhood or village associations and have worked on design committees.  Design guidelines aren’t entirely necessary, but if the goal is to design a quaint, homey looking village, you’ll want to make sure that something doesn’t stick out like a sore thumb.  You would also want a place where the homes or cottages don’t all look the same.  Make it more authentic and creative, and a village that looks like it has been built over centuries.

The drawings, photos, writing and editing for this post were done collectively by Brian Reeves, Jennifer Filipowski and John Hendricks.

Hendricks Architecture, architects in Sandpoint, Idaho.  We’ve designed everything from small mountain cabins and storybook houses, to mountain lodges and estates.

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Priest Lake Cabin

January 26, 2018 by John Hendricks, Architect AIA 4 Comments

A lakefront beach cabin we designed was recently completed on the shores of Priest Lake, in Northern Idaho.  Beautiful lake views abound from just about every room.

The owners wanted to replace an outdated cabin that was set far off the beach.  The placement and design layout of the home didn’t work for them, and wasn’t very energy efficient, so they decided to start from scratch.  The Owner’s “cabin on the lake” wishlist included a rustic, yet refined look on the exterior, with cedar, stone and timbers.   A connection to the outdoors, with lake views from all the major rooms, along with outdoor living spaces, was a must.

A beachfront cabin at Priest Lake

Beachfront cabin at Priest Lake

The new cabin includes four bedrooms and a large game and sleeping loft.  The beach level lower floor comprises of a boat garage with plenty of room for other water toy storage, as well as a family room and two bedrooms.  Down below there is also a mud room and outdoor shower on the side.

Priest Lake cabin dining room with a view

A Priest Lake cabin dining room with a view

The main entry level has an intimate dining and kitchen, along with a master suite that includes a large tub and walk-in shower, and beautiful views across the lake.  A soaring living room, with recessed bookcases and overhead timber trusses (two flanking a two-story fireplace), shares space with the upper loft.

Soaring living room with fireplace and timber trusses

A soaring living room and loft space connect to the more intimate kitchen and dining rooms.

The living room and dining room both have access to a large deck, held up by timber posts and knee braces, wrapping around to the front of the cabin.  The lake views out of these rooms are breathtaking.  There’s also a one-car garage on the main level.

The cabin's views of Priest Lake

An intimate dining room and a soaring living room space both have incredible views of the lake.

The cabin was designed in the Mountain Architectural style, which incorporates natural elements.  The siding is beveled cedar, with stone accents.  It is post and beam construction, versus a true timber frame.  The windows are aluminum clad, with alder wood interiors.

Priest Lake's southern end

Part of the southern end of Priest Lake, as see from East Shore Road.

Priest Lake is in the northern panhandle of Idaho, in what is called “Lake Country”.  Though it’s only the 3rd largest lake, behind Lake Pend Oreille and Lake Coeur d’Alene, it’s still 26,000 acres, or about 41 square miles.  All three of the lakes produce some of the biggest trout in the country, along with kokanee, bass and many others.  Priest Lake is the more rugged of the three, as in more forested, and is much quieter in the winter.  There is also a 2.5 mile long thoroughfare at the northern end of the lake, connecting to a smaller Upper Priest Lake, which is even quieter with no cabins.

Every time I drive out to Priest Lake, I’m reminded quite a bit of Huntington Lake in the Sierra Nevada mountain range in California, which is a lake where we had a family cabin when I was growing up.  Except that Priest Lake is almost twenty times as big in area.  Both are big in fishing, hiking and camping.

Priest Lake's Huckleberry Bay on the north side

Huckleberry Bay on the north side of Priest Lake.

The contractor was Mike Sandau of Sandau Builders.  If you ever want to build on Priest Lake, I would highly recommend using them.  Other photos can be seen at Cabin at Priest Lake.  Special thanks to Marie Dominique Verdier, who took these beautiful photos.  And of course, a big thanks to the homeowners, who were great to work with, and who I won’t name so they can keep their privacy.

John Hendricks, AIA Architect

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Hendricks Architecture specializes in the design of mountain style homes and cabins, and has been listed yearly among Mountain Living’s top mountain architects.  We try to add a little bit of soul into each home, to reflect the personalities and wishes of the homeowners.  We’ve designed all over the USA (including many at Priest Lake), and several other countries.

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Previous Post: Creative Architecture

 

Creative Architecture

April 15, 2017 by Jesse Hart, Intern Architect Leave a Comment

There is architecture, and then there is creative architecture. Most architectural projects begin with a precedent, a design rooted in a defined architectural style. For us, it is often the Mountain and Arts and Crafts styles. While most architectural projects are based on some architectural style or movement, innovative and creative projects stem from the open minds of homeowners teaming with inventive architects. I have selected five recent projects from various architects that ignite my creativity.

(Written by Jesse Hart, a creative University of Idaho Architecture student who interned with us)  

The Creative Architecture of Frank Gehry's Dancing House in Prague

Frank Gehry’s Dancing House in Prague

Dancing House, designed by Vlado Milunić and Frank Gehry, is located in Prague, Czech Republic. This project bends perspective and distorts the view of the built world; buildings like this reform what we think is possible.  It was originally named Fred and Ginger, to emulate the famous dancers Fred Astaire and Ginger Rodgers (Fred’s on the right).

This creative treehouse makes for whimsical hobbit architecture

Treehouse by Blue Forest

Built by the British luxury tree-house design-build firm Blue Forest, this project looks like it belongs in a sci-fi movie. The shape is inspired by a tree, but is like nothing else I have seen. It definitely begs a second look.

A fun, creative treehouse

Treehouse Point Bed & Breakfast

Designed and built by Pete Nelson, TreeHouse Point Bed and Breakfast near Seattle, with includes several tree-houses, sparks my childhood creativity. Tree-house dreams don’t end with childhood, but continue into adulthood. This project is a prime example of this.

A creative garage remodel

Repurposed Garage by Graypants

This old mid-1900’s garage in Vashon, Washington was repurposed by Graypants.  While not as surreal as the previous projects, it is creative in a different way. Being able to rethink the old, and to bring the dead back to life, requires a creative mind.

A creative multi-purpose building

L’arbre Blanc – Designed by Sou Fujimoto Architects, NLA, and OXO Architects

Above it the multi-purpose tower L’Arbre Blanc (White Tree) in Montpellier, France, was designed by Sou Fujimoto Architects, NLA, and OXO Architects. Inspired by the functionality of a tree, the balconies create shade and absorb sunlight. It is appreciable to look to nature for functional design inspiration; being able to do this requires a creative, problem-solving mind.

These projects show me how far a little creativity can go. I am thankful for ingenuity in the design world, for architecture being pushed in a direction it has never been; for fresh ideas and new perspectives. Where does your creativity take you?

Jesse Hart – Hendricks Architecture

As architects designing custom homes and other projects, we love hearing new ideas from clients and making them a reality.  Imaginative minds produce creative architecture.  Contact us here.

Previous Post: The Architecture of Hogwarts Castle – Part 2

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The Architecture of Hogwarts Castle – Part Two

July 30, 2016 by John Hendricks, Architect AIA Leave a Comment

Anyone who has children, has seen the Harry Potter films, or read the books, should be familiar with Hogwarts Castle, home of the fictional “Hogwarts School of Witchcraft and Wizardry”.  Even if you haven’t, it’s still a sight to see if you like cool architecture and castles on the whimsical side.  In our last post we talked about the Architecture of Hogwarts Castle and its influences, including Durham Cathedral, the City of Edinburgh (and its castle), and Gloucester Cathedral.  I’m going to continue that here, and will again include associated Harry Potter filming locations.

Hogwarts Castle Architecture

Hogwarts Castle – rendering by Hendricks Architecture

I should point out that I’ve always been drawn to castles (and cathedrals), along with their architecture and history, which, luck has it, the Harry Potter films draw from with some creative touches. No residence is more formidable than a stone-built castle that can withstand the elements for hundreds of years, and sometimes thousands of years when well kept.  Some of the most formidable, in my opinion, are located in Western Europe, and I’ve been lucky enough to to tour many of these.

Before filming began on the Harry Potter series, production designer Stuart Craig was given the enviable job of designing the perfect castle to mimic J.K. Rowling’s vision of Hogwarts in the previous books, and the ones not yet written. The finished product was a castle model scaled down to the size of a small house, and was used in the films for every imaginable shot showing Hogwarts (when not able to film at actual locations, such as Alnwick Castle in our previous post).  I visited the Hogwarts castle model and studied the drawing details on two different occasions.

Westminster Abbey

Westminster Abbey was one of several imposing British medieval cathedrals that Craig and his team studied before designing Hogwarts Castle.  Located in London, the English and British Kings and Queens have been crowned here since 1066.  Westminster Abbey has also been the location of sixteen royal weddings, and is the burial place of some of the most famous people of all time.

Westminster Abbey inspired the Architecture of Hogwarts Castle

Westminster Abbey helped inspire the architecture of Hogwarts Castle

A church has been at the site since the 7th century, according to tradition.  Around 1050 a remodel and addition began (see Old World Architecture: Doors of England for Britain’s oldest door, part of the older structure).  In 1245, on the orders of Henry III, the current abbey was added onto extensively in the Gothic style,  which is defined by its pointed arches, vaulted roofs, buttresses, large windows, and spires.

Architecture of Westminster Abbey

Westminster Abbey’s north entrance. The facade above the door has statues of 20th century martyrs, including Martin Luther King, fifth from the left.

Henry VIII assumed control of the abbey (and granted it the status of cathedral) in 1540, during the Dissolution of the Monasteries, in order to prevent it from being destroyed.  This was very convenient for him, since it was less than a half mile from his main home at the Palace of Whitehall.

The Abbey’s two western towers were built between 1722 and 1745, in the Gothic Revival style, which was based off the Gothic style, and included finials, arched windows, lancet windows, and label stops (hoodmolds over the arched windows to draw water out to the sides).

Hogwarts Castle Westminster Abbey

Westminster Abbey in London has some resemblances to Hogwarts Castle, except for the tourists.

If you ever make it to London, Westminster Abbey is a “must see”, and not only for the architecture.  The abbey is adorned with ornate tombs of some of the most famous British people in history.  Queen Elizabeth, numerous other kings and queens, Sir Isaac Newton, Charles Dickens, and composer George Frideric Handel are among those buried there.  William Shakespeare, Sir Winston Churchill, Jane Austen, Laurence Olivier, Alec Guinness (probably best known as Obi-Wan Kenobi in the original Star Wars films), and Martin Luther King Jr. (who of course was not British) are among those with statues or memorials.

Westminster Abbey's North Entrance has some Hogwarts elements

The North Entrance of Westminster Abbey

Westminster Hall

Westminster Hall and its large timber trusses were used as inspiration in designing Hogwarts’ Great Dining Hall, the majestic hall which figures prominently in the Harry Potter films.  Erected in 1097, Westminster Hall was at the time the largest hall in Europe.

Hogwarts Great Dining Hall Ceiling

The ceiling trusses in Hogwarts Great Hall (above), were inspired by the trusses in Westminster Hall (below).

Redesigned in 1393 with some very large oak hammerbeam timber trusses, Westminster Hall has the largest clear span medieval roof in England, and the largest timbered roof in Northern Europe.

Westminster Hall inspired Hogwarts Great Dining Hall ceiling trusses

The Great Hall at Hogwarts was inspired by Westminster Hall in London.

The above rendering is a Wikipedia Creative Commons 19th century drawing of the interior of Westminster Hall.  I took the family to London last year, but we were unable to make it inside the hall because of a function. Below is a photo I took from the south of the exterior.

Westminster Hall inspired the Great Hall of Hogwarts Castle

Hogwarts Great Hall was inspired partly by Westminster Hall, which is located beyond the big arched window (of St. Stephens Porch).  You can see the top of the window in the previous drawing.

Westminster Hall is the oldest existing part of the Palace of Westminster, which was once the primary residence of the Kings of England until a fire destroyed most of it in 1512, and again in 1834. Architect Charles Barry designed the latest rendition in the Perpendicular Gothic Revival style.  This style emphasized vertical lines, as well as large windows with elaborate tracery, and fan vaulting.

The Architecture of the Palace of Westminster

The Palace of Westminster, as seen from the London Eye. Westminster Abbey is on right.

The Palace of Westminster is now the meeting place of the two houses of Parliament of the United Kingdom, the House of Commons and the House of Lords.  Above is a photo I took of the Palace of Westminster from the London Eye.  Westminster Hall is located under the dark grey roof to the left of Big Ben.  Incidentally, Big Ben is actually the massive bell, striking every hour, inside the famous clock (the largest clock in Britain) on The Elizabeth Tower.  Many refer to the tower collectively as Big Ben.  The London Eye is Europe’s tallest ferris wheel, and gives you great views of London, as far as the 2012 Olympic Stadium to the northeast, and Wembley Stadium to the northwest.

The University of Oxford

For further inspiration in the design of Hogwarts, the filmmakers studied the architecture of Oxford, the oldest university in Britain and the English speaking world.  Several locations at the University of Oxford were used as Hogwarts interiors in the Harry Potter films, as well as a few exteriors.

The Museum of Oxford Architecture

The University of Oxford has a millennium of architectural styles. Here’s the Museum of Oxford

Oxford is located about 50 miles west of London.  It was established around the year 1096, making it the oldest English speaking university in the world.  Some famous graduates include J.R.R. Tolkien (Hobbit, Lord of the Rings), Lewis Carroll and Stephen Hawking, along with several Prime Ministers, most recently Margaret Thatcher, Tony Blair and David Cameron.  Believe it or not, Hugh Grant, Dudley Moore and Kris Kristofferson were also among those graduating from Oxford.

Emma Watson (Hermione Granger in the Harry Potter films), was raised in Oxfordshire, and is an honorary Oxford Fellow.  Having been cast for the role when she was nine, she didn’t have much use for a university degree back then.

Incidentally, J.K. Rowling took the entrance exams to Oxford, but was not accepted.  Let that be a lesson, in that it is very rare to find success without some setbacks along the way.   It may also have influenced Ms. Rowling more than anything, with great Dumbledore quotes such as, “It does not do to dwell on dreams and forget to live.”

The architecture of Oxford and Hogwarts

The University of Oxford’s architecture had a big influence on the architecture of Hogwarts Castle and other structures in the Harry Potter films.

Being in existence for almost a thousand years, there are a wide variety of architectural styles at Oxford.  As a matter of fact, Oxford contains examples of EVERY architectural style in England’s history since the Anglo-Saxon period.

I don’t want to get too far off the Hogwarts Castle tangent, but as an example, shown below are Oxford’s Saxon Tower on the left, and 27 Cornmarket Street on the right.  The Saxon Tower dates back to 1040, before the Anglo-Saxons were conquered by the Normans in 1066, and is part of a church called St. Michael at the North Gate.  It is the official City Church of Oxford.  It’s simple, as Anglo-Saxon architecture was, but it’s almost a thousand years old! Incidentally, for a small fee you can climb the steps to the top for some good views of Oxford.

Oxford Architecture on Cornmarket Street

Oxford’s Saxon Tower on the left, and 27 Cornmarket Street on the right

The building at 27 Cornmarket Street is just across Ship Street from the Saxon Tower.  Dating back to the late fourteenth century, it is a great example of the half-timber framed architecture that was owned by the wealthy, but later became more widespread into the Shakespearean times of the sixteenth century and early seventeenth.  This was either originally an Inn or a home owned by a wealthy merchant, who lived on the top floors and had their business on the lower level.

In the half-timbered style, many of the top floors hang out over each of the floors below.  This was one of their methods of waterproofing, as it allowed water to run off the upper stories, rather than soaking back into the wall.  They didn’t have waterproof membranes back then.

For the Harry Potter fans, the half-timbered style is the style of architecture in Godric’s Hollow, where Voldemort was first defeated, and where Harry returns to visit his parent’s graves.

Oxford storybook home

A storybook home in Oxford

Oxford has the biggest smorgasbord of architecture I’ve ever seen in one area.  The storybook cottage shown above is likely a home once owned by an employee of the university, and possibly still is.

Christ Church College

The University of Oxford has thirty-eight different colleges.  Christ Church College was designed in the Perpendicular Gothic Style, the same style as the Palace of Westminster.  Christ Church’s dining hall was another inspiration for the Great Hall at Hogwarts Castle.  In fact, the dimensions were kept exactly the same at 40 feet by 120 feet.  The rows of tables at Christ Church are only three wide, versus four wide for the four houses (Gryffindor,  Ravenclaw, Hufflepuff and Slytherin) of the Great Hall in the films.  Imagine this room with the trusses and bigger arched window of Westminster Hall, and you then have the Great Hall of Hogwarts.

Hogwarts Castle Dining Hall Architecture Oxford

Hogwart’s Great Hall was partially inspired by Oxford’s Christ Church

In The Philosopher’s Stone (the first film), a staircase in one of the many buildings of Christ Church College leads the students up to the main chamber, where Professor McGonagall stands waiting for them, before entering the Great Hall for the Sorting Ceremony.  Notice the fan-vaulted ceiling, an architectural style unique to England.

Hogwarts Castle Staircase

A staircase in Christ Church College is used as the one leading up to Hogwart’s Great Hall

Bodleian Library

Oxford’s Bodleian Library is another example of the Perpendicular Gothic Style.  Duke Humphrey’s Library (built 1450-1480 and partially remodeled in the 16th and 17th centuries) is the oldest reading room in Bodleian Library, and was the location of the Hogwarts Castle Library.

Hogwarts Castle Library at Bodleian Oxford

Oxford’s Duke Humphrey’s Library at the Bodleian was used as the library at Hogwarts Castle

On the ground floor of the Bodleian Library is Oxford’s Divinity School (1427-1483).  With its elaborate fan vaults and large windows, the Divinity School was used as Hogwarts’ music room, where Professor McGonagall taught the students how to dance.  It was also used as the infirmary, the school hospital where Harry awakens at the end of the first film, The Philosopher’s Stone, and where Ron stays after being poisoned in the sixth film,  The Half-Blood Prince.

Hogwarts Castle Hospital and Music Room

Oxford’s Divinity School was used as the Hogwarts hospital wing and the music room

New College

The Cloisters at Oxford’s New College were the location where Draco Malfoy attempts to attack Harry, but is intercepted by Alastar “Mad Eye” Moody, who turns Draco into a ferret.  Moody is then scolded by Professor McGonagall.  This occurred in Harry Potter and the Goblet of Fire.  Other scenes were filmed of the students walking and meeting in the cloisters.

Hogwarts Castle cloisters at Oxford's New College

The cloisters at Oxford’s New College were used as one of the courtyards of Hogwarts Castle. Draco Malfoy was turned into a ferret in the yard here.

There are other structures that have influenced the architecture of Hogwarts and other elements in the Harry Potter world, but for the sake of this getting too long, and me needing to get back to design work, I’ll continue this later.  Is there anything specific you would like to see?  Feel free to also shoot me questions.

To be Continued…..

John Hendricks, AIA Architect

Hendricks Architecture has designed everything from small mountain cabins and beach houses, to expansive mountain lodges and estates.  We’re always open to designing castles and cathedrals as well.

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Hendricks Architecture

We are mountain architects specializing in mountain architecture throughout North America, from lodges and lakefront homes to cabins and beach houses.

John Hendricks, AIA
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Sandpoint, Idaho 83864
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