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Steel Bandshell in Sandpoint

July 31, 2013 by John Hendricks, Architect AIA 3 Comments

A steel bandshell designed by Hendricks Architecture was recently completed in Sandpoint’s Farmin Park.  Sandpoint Rotary asked us to work with Parks and Recreation director Kim Woodruff to design a replacement option for the park’s bandstand roof.

The tasks we were given were to fit the structure within an existing circular brick base, keep the performers dry, be durable, low maintenance, and fit architecturally and aesthetically into a park in the heart of downtown.  We were also challenged to make the structure a unique and a one-of-a-kind piece of art.  In addition, we wanted to make sure it was acoustically viable for the musicians, despite the steel structure.

Steel bandshell Hendricks architects Sandpoint Idaho

Steel bandshell in Sandpoint Idaho’s Farmin Park

In an initial brainstorming meeting with Kim and structural engineer Carlos Suarez, we talked about the possibility of using steel instead of wood for its longevity and low cost maintenance factor.  Kim suggested I meet with talented local steel artist Tom Brunner onsite to put our heads together.  I met with Tom the next day, our ideas clicked and within about 15 minutes we had the basis for the design.  I threw some quick sketches together (one shown below) and the next day we (Kim, Carlos, Tom and I) were all in agreement on the conceptual design.  The following day Tom threw together a small scale steel model, which became effective later on in getting approvals from various City committees.  The next steps were to secure funding, and end up with stamped construction documents to assure public safety.

Steel bandshell Hendricks Architect Sandpoint Idaho

Front view of the bandshell in Sandpoint, built over an existing brick bandstand

The design is based off the existing curved bandstand, from the columns to the beams, to the purlins and other support elements.  We wanted it to be more organic than to just add a linear roof over it.  Carlos was given the tough task of trying to make the shell stand upright through the toughest snow and wind storms.  Carlos ended up donating about 80-90% of his time.  It ended up being a very time consuming project, but I think for both of us it was a fun puzzle to solve.  Tom Russell of Hendricks Architecture served as the project architect and was able to make all the pieces come together, including a 3D rendering which helped gain approvals.

Steel Bandshell Hendricks Architecture Sandpoint Idaho

Side view of the Farmin Park bandshell in Sandpoint

The purlins (the steel running right to left under the roofing – some nearly reaching fifty feet) were also designed to be curved, but in the end, we decided to make them straight.  This was a painful compromise, but to curve each of them would have increased the price significantly, not just from curving the steel, but mainly because the roofing would have had to be intricately cut and laid over some very complex curves that bend in more than one direction.  This would have become very time consuming to build, so the purlins are straight, but are laid out in six segments each so they at least hint of a curve.  The structure is all steel, while the roof is corten steel.  Eventually the entire structure will have a nice rust patina.  The bandshell shouldn’t need any major maintenance, and should outlive all of us.

Bandshell architect sketch

John’s original sketch of the side elevation

One of my biggest concerns was the acoustics.  Exposed steel is not a material typically used in theaters or other music venues, as sound tends to reverberate off steel.  We certainly didn’t want to amplify the sound too much and to the detriment of local businesses and neighborhoods.  The existing base had curved walls which angled out towards the park’s music audience, so we emulated that in the roof structure.  We angled the roof up, as well as limited steel in the sound path to allow music to escape easier.  Still, I was a little nervous as the construction was pretty loud at the points when they had to put hammer on steel.  I was relieved to actually hear the musicians play and find it sounded pretty good.  I’ve heard from a few that the sound is better than it was before, and worst case, the same as before.

All the consulting work Tom Brunner (the steel artist) did initially was at no cost. Tom also designed the artwork in the four structural steel rings, where each symbolizes one of the four seasons.  Most of the team donated a lot of their time and offered reduced rates to get this built.  Sean Fitzpatrick (a fellow Rotarian) acted as the general contractor.  Wayne Bistodeau of Multi-Trail Enterprises, framed the steel structure in his shop, then disassembled it and put it together on site.  Apex Construction, CE Kramer Crane and Contracting, DSS Construction, Glahe and Associates, North County Electric, and Pacific Steel also contributed towards the Rotary project.  Several other Rotarians contributed their time on this, including Presidents Paula Parsons, Jerri Anderson and Bob Linscott, the community service head and a former architect.

Steel Rotary wheel

A steel Rotary wheel was inserted in the main truss.

The bandshell was funded by the Sandpoint Urban Renewal Agency (SURA) and Rotary.  SURA financially supported the project acknowledging that, though more costly on the front end, the long-term investment was best served with the steel structure.  Sandpoint Rotary requested funding and it was granted in late 2012.

Many thanks as well to Marie Dominique Verdier for her beautiful photography!  See our Facebook page for more photos.

John Hendricks is an AIA architect at Hendricks Architecture.  Click to Subscribe to Hendricks Architecture’s Blog

Previous Post: Architecture for Specific Sites 2: Restrictions

A Whimsical Steel Bandshell for Sandpoint’s Farmin Park

November 5, 2011 by John Hendricks, Architect AIA Leave a Comment

Hendricks Architecture, in cooperation with  Sandpoint Rotary, has designed a whimsical steel bandshell for the Farmin Park bandstand in Sandpoint, Idaho. The Project will be funded by Sandpoint Rotary and the Sandpoint Urban Renewal Agency.  Rotary members have been donating their time in coordination and fund raising, and will also have a hand in construction.

Farmin Park Bandshell

The Farmin Park Bandshell

The bandshell is designed to emulate other whimsical elements in the park, as well as the existing curved bandstand, and other rustic elements throughout downtown Sandpoint.  A curved steel roof structure will be supported by curved steel columns.  Two circular struts will enclose custom steel Rotary wheel emblems.  All steel will have a pre-rusted “weathered” finish.  The underside of the roof will have matching acoustic insulation to help with sound reverberation. Construction is scheduled for Summer of 2012.

Farmin Park is set in the middle of downtown Sandpoint.  The  Sandpoint Farmer’s Market occurs at the park Wednesday afternoons and Saturday mornings from May through October.  The bandstand is set at the far point of the park and houses a scheduled musician at every event.

The 3D rendering was provided by Tom Russell, an architect at Hendricks Architecture.  Special thanks also to the Rotary members who have been donating their time on this project, including Project Chairman Bob Linscott, Project Manager Sean Fitzpatrick, Presidents Jerri Anderson & Matt Kerr, Secretary Pierce Smith, Treasurer Sue Poppino,  as well as Kim Woodruff from City Parks and Rec, and Consultants Terry Hecox, Dick Creed, Carlos Suarez and Tom Brunner.

For updated info and photos on the bandshell, see Steel Bandshell in Sandpoint.

John Hendricks is an AIA architect at Hendricks Architecture.  We are a mountain architectural  firm in Sandpoint, Idaho.  Click to Subscribe to Hendricks Architecture’s Blog

Previous Post: Choosing Windows for Your Home

Arts and Crafts Style Architecture

May 18, 2010 by John Hendricks, Architect AIA Leave a Comment

If you take a walk through the older neighborhoods of any American town, you are likely to see examples of homes whose designs were inspired by Arts and Crafts style architects. The Arts and Crafts architectural movement was a philosophy of design that influenced not only architects, but furniture makers, artisans and domestic handicrafts as well. Begun as a response to the mechanization and mass production of the Industrial revolution, followers of the Arts and Crafts movement promoted the value of natural materials, skilled craftsmanship, economy of form and honest expression without applied ornamentation.

A covered porch at the Gamble House, designed by Greene and Greene Architects.

A covered porch at the Gamble House, designed by Greene and Greene Architects.

The Arts and Crafts movement began in Britain in the mid to late 1800’s, and came to America just before the turn of the century. One of the first Americans to adopt the principles was Gustav Stickley, the well known furniture designer. Considered the founder of the Craftsman style (a descendant of the Arts & Crafts Style), Stickley was highly influential in spreading the philosophy of Arts and Crafts through his periodical “The American Craftsman”. He emphasized simple, clean lines, exposed artful joinery, the virtues of handcrafting, and unadorned natural materials.

Chair designed by Gustav Stickley

Chair designed by Gustav Stickley

Besides creating elegant furniture, Stickley partnered with the architect Harvey Ellis to create popular Bungalow style home designs that were published in catalogs and became widely known as craftsman style bungalows. Some of the hallmarks of the craftsman bungalow were:

  • Low to medium slope roofs with deep overhangs, usually hipped or gabled
  • Exposed rafters and rafter tails on the exterior
  • Covered front porches with large square or tapered columns on stone or brick bases
  • Prominent stone or brick chimneys
  • Timber brackets supporting roof overhangs
  • One or one and a half stories, with attic living space and dormers
  • Open plan
  • Wood beam ceilings and dark wood wainscot and mouldings
  • Built-in cabinets, shelves, seating, and sometimes furniture

In the early part of the 20th century, complete bungalow home kits could be bought from catalogs, including Sears and Roebuck. Many US cities and towns have older neighborhoods full of these “modern” homes.

In the Pasadena area of Southern California, two brothers, architects Charles Sumner Greene and Henry Mather Greene, took the bungalow and the Arts and Crafts philosophy to extremes in their stick style homes. Every detail of these homes was meticulously designed and crafted, featuring beautiful exposed timber connections, lots of native wood, and indigenous stone on the exterior. Greene & Greene’swork has become iconic as the ultimate expression of Arts & Crafts ideals in home design, where the home is a complete work of art with every detail and furnishing designed by the architect.

The architects Greene and Greene were known for their detailed Arts and Crafts style homes.

The architects Greene and Greene were known for their detailed Arts and Crafts style homes.

Frank Lloyd Wright’s Prairie School style homes are also based on principles of the Arts & Crafts movement. One of America’s most famous architects, Wright developed a unique style that drew from many of the ideas of the Arts & Crafts movement, including open plans, emphasis on natural materials and connection to the environment, forms inspired by nature, and lots of wood built-ins. Wright’s organic style was an inspiration to many American architects, and many of his homes are still considered fine examples of Arts and Crafts philosophy in practice.

Frank Lloyd Wright's Fallingwater

Interior of Frank Lloyd Wright’s Fallingwater

A contemporary of Wrights, architect Bernard Maybeck, designed many homes in the Arts and Crafts tradition, most of them in the hills above Berkeley, California. Maybeck had an eclectic style and whimsical nature, often mixing modern design with classical details. He was adamant about letting the building materials and quality craftsmanship be the ornamentation, and typically used carefully detailed redwood as both interior and exterior cladding. Some elements of the shingle style are evident in his designs.

A Bernard Maybeck Arts & Crafts Style Home

A Bernard Maybeck Arts & Crafts Style Home

Because of its enduring appeal and continued popularity, many architects still design using principles and forms that emerged during the Arts and Crafts movement. The Craftsman style and Prairie style were two of these Arts & Crafts siblings. Others included later versions of the Shingle style, Adirondack and Swiss Chalet styles (which all also had various influences on the Mountain architectural style), and to a lesser extent the Eclectic styles of the Tudor and French Eclectic (and it’s cousins the Cotswald Cottage and the less rigid Storybook style).

The beauty of natural materials, quality craftsmanship, thoughtful design, and honest expression are still valued today, as is the connection many people feel with these iconic building styles. As new materials emerge and styles evolve, the look of buildings will inevitably change. However, the influence the Arts and Crafts movement had on American domestic architecture will continue to be evident in the design of our homes for many years to come.

Tom Russell, LEED AP, and John Hendricks, AIA Architect

Hendricks Architecture designs Arts and Crafts inspired mountain homes and cabins throughout the United States. Visit our portfolio for examples of some of our recently completed custom projects. If you are interested in an Arts & Crafts style home, or you have any other inquiries, please contact us.

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Previous Post: Stone Cladding Options

Mountain Chapel

February 10, 2010 by John Hendricks, Architect AIA 4 Comments

We are designing a rustic mountain chapel for a family in conjunction with the design of their custom mountain home. Tucked in a quiet corner of their property in the woods, it will be a place for them to escape the usual distractions and pray quietly, either alone or in a small group.

Rustic Mountain Chapel with Trusses

Rustic Mountain Chapel with Trusses

Several options were presented, with a few of them shown here. Stone and wood are the main materials on the exterior and interior, along with rustic arched timber trusses, beams and/or rafter accents. A central wood window with cross shaped mullions overlooks a spectacular rock outcropping. Some of the options include window bench seats and clerestory windows.

Small Hobbit Chapel

Small Hobbit Chapel

Small Mountain Chapel with Window Seat

Small Mountain Chapel with Window Seat

John Hendricks, Architect AIA

Hendricks Architecture, mountain architects located in Sandpoint, Idaho.

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Hendricks Architecture

We are mountain architects specializing in mountain architecture throughout North America, from lodges and lakefront homes to cabins and beach houses.

John Hendricks, AIA
418 Pine Street
Sandpoint, Idaho 83864
Tel 208.265.4001
Fax 208.265.4009
Email: john@hendricksarchitect.com

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